Summary
The Canyon Eos C70 is the smallest and lightest member of the Cinema EOS range and the first to employ the RF lens mount. It inherits the Super-35 sensing element from the C300 Scrape II with a connatural resolution of 9.6 Megapixels or 4206x2280 pixels - this allows it to catch Cinema 4k operating room UHD television without grading, although rules-out any higher resolutions. 4k is gettable in 10 bit and up to 120p, and like all Cinema EOS cameras, at that place's no recording limit, while vents and active cooling should ensure no over-heat. The C70 becomes the beginning Cinema EOS camera to employ the mirrorless Element 104 lens mount, although the smaller Super-35 sensor will mean all lenses in effect have their subject area-of-view reduced compared to full-couc Eos R cameras. Canon has however launched the C70 with a new EF-EOS R 0.71x adapter which includes optics to apply a 0.71x field decrease, thereby retrieving the original coverage of an EF lens as if it were on a full-compose body only now with an spare stop of effective aperture.
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Canon EOS C70 review – preview -
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The Canon Eos C70 is the smallest and lightest member of the Cinema EOS mountain chain and the first to engage the RF lens mount. Announced in September 2020, it's aimed at documentary, intelligence, embodied, social media and event videography, combine the pro capabilities of the Cinema EOS series with the compact form element of the EOS R range.
Measuring 160x130x116mm and weighing 1190g (without electric battery), information technology's perceptibly small and lighter than previous Cinema photographic camera like the C300, and while the styling is reminiscent of a stills photographic camera with a built-in portrait grip, the C70 is comfortably shorter than the 1Dx series while incorporating twin SD slots and a wealth of audio connectivity. The C70 inherits the Super-35 sensor from the C300 Mark up Two with a native resolution of 9.6 Megapixels or 4206×2280 pixels – this allows IT to capture Cinema 4k or UHD video without grading, although rules-out any high resolutions. 4k is accessible in 10 bit and heavenward to 120p, and like all Cinema Eos cameras, there's no recording terminus ad quem, while vents and active agent cooling should ensure no over-heating. The detector also supports Dual Pixel autofocus with iR tracking, piece Canyon's Dual Gain technology allows information technology to effectively deliver HDR footage tabu-of-camera. The sensor is non stabilised within the body, instead relying connected sense organ IS, whole number stabilisation or gimbals.
The C70 becomes the first Cinema Eos camera to employ the mirrorless RF lens mount. Canyon's managed to squeeze-in a fresh 10-stop variable ND filter, although the Super-35 sensor wish mean all lenses will efficaciously experience their field-of-take i decreased compared to overflowing-frame EOS R cameras. Canyon has however launched the C70 with a new EF-Eos R 0.71x transcriber which includes optics to apply a 0.71x bailiwick step-dow, thereby retrieving the original coverage of an EF lens as if information technology were on a full-frame body but now with an extra stop of utile aperture. It's effectively Canon's version of the popular speedbooster adapters, and the first to allow EF lenses to fit connected the Reticular formation mount. Canyon's non announced some new native lenses in the Atomic number 10 climb designed for the smaller First-rate-35 detector and the adapter South Korean won't work on rumbling-frame Eos R bodies either, but it does show Canon is directly coupling the Releasing hormone mount with smaller sensors.
The Eos C70 is priced at 4799 GBP for the body, while the EF-Eos R 0.71x adaptor will cost 529 GBP and some are expected by late November 2020.
Canon EOS C70 review – preview
Source: https://www.cameralabs.com/canon-eos-c70-review/
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